Captain Swing and the Blacksmith
Beatrice Parvin, Troubador, 2018, £9.99, pb, 364 pp, 9781788035293 





Imber, England, 1843

​     Since 1830, threatening letters signed Captain Swing have incited agricultural workers to rebel against landowners for implementing work-saving inventions, particularly the threshers that have put so many out of work and sent thousands to the spike: dark, crowded workhouses that serve as repositories for the poor.
     In Captain Swing and the Blacksmith, Parvin takes the reader into the dingy, exhausting world of working-class 1840s England, where seamstress and laundress Susan Trindall dreams of one day owning a market stall and selling the buttons she finds on the street. But when she falls for the handsome blacksmith Jack Straker and makes an ill-advised (if understandable) decision, she is disgraced. Her father, who signs his letters Captain Swing, banishes her into a life of poverty and homelessness. Fueled by desperation, unrequited love, and a stubborn (if, again, understandable) quest for revenge, she begins her years-long struggle to survive.
     From the workers’ uprising to the perilous world of a seventeen-year-old social outcast, to the Andover Workhouse, Parvin characterizes Salisbury Plain with harsh, sometimes gruesome, detail. Her depiction of the spike, whose deplorable conditions smack of starvation and torture, sent me to the library. In investigating the Swing Riots of 1830 and reading George Orwell’s account of a night he spent in a workhouse (“The Spike”), I realized that Parvin’s description was on point.
     Her debut novel, though driven by an obsessive love, is no romance; and while a character finds redemption, it is no parable. Rather, it is a portrait of a time. Evocative of a mean age, Captain Swing and the Blacksmith is both riveting and relevant.
Recommended.

                                                                     Rebecca Kightlinger

Originally published in Historical Novels Review Issue 86, Nov 2018.
Citation: Kightlinger, Rebecca. "Captain Swing and the Blacksmith" Historical Novels Review 86 (November 2018).
https://historicalnovelsociety.org/reviews/captain-swing-and-the-blacksmith/

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The Girl They Left Behind
Roxanne Veletzos, Atria Books, 2018, 355 pp, $26.99, 9781501187681





Bucharest, Romania, 1941

     King Carol II has abdicated, and General Antonescu’s Legionnaires are massacring Jews or disappearing them in the night. So when the knock comes on Iosef’s door and an officer tells him to come in for questioning—and to bring his wife and daughter—Iosef knows they’ll never return. Into the night they run, knowing they’re doomed: if they don’t freeze to death, the Iron Guard will find and kill them. Their only hope is to flee to the home of a friend who will hide them; but Stefan could never take them in with a child, Iosef tells Zora. If they are to save their daughter, they must abandon her to the mercy of strangers.
     And so, Roxanne Veletzos’s debut novel opens with a three-year-old sitting alone on the steps of an unfamiliar apartment building on a frigid January night, wondering when her parents are coming back for her. They aren’t. But she finds mercy in the concierge who rescues her, and in Stefan’s wife, Maria, who arranges for her own cousin to adopt her.
     Excellent crafting complements superb storytelling as Veletzos depicts the war’s atrocities and years of degradation and blight through the eyes of a child who knows nothing else. Veletzos relates Romania’s complex role in WWII succinctly and with such good timing that readers can understand what is happening in the war while remaining immersed in the lives of the many people who risk what they most cherish in order to give a child a shot at life.
   Based on the life of Veletzos’s mother, The Girl They Left Behind is a gripping story of endurance; of a childhood lived under a state of relentless war; and of goodness, courage, sheer will, and the fierce, selfless love that binds parent to child.
     Highly recommended.                      

                                                                                    Rebecca Kightlinger

Originally published in Historical Novels Review Issue 86, November 2018.
Citation: Kightlinger, Rebecca. "The Girl They Left Behind" Historical Novels Review 86 (Nov. 2018).
https://historicalnovelsociety.org/reviews/the-girl-they-left-behind/

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A Million Drops
Víctor del Árbol, Other Press, 2018, pb, 640 pp, $19.95, 9781590518458. Translated from the Spanish by Lisa Dillman
 
“Nobody wants to be sent off to freeze to death in Siberia. So the police make up any damn excuse to send them there, no trial, nothing. All it takes is no internal passport.”


​      So begins Elías Gil’s nightmare. Having traveled to the USSR in 1933 to study and work, the idealistic young Communist engineer from Barcelona leaves his friends in a bar to go outside for a moment—without his passport—and is taken by police, shot, beaten, and jailed as a spy. Deprived of water for days, he tries to make sense of this “misunderstanding,” as his friends are arrested, mutilated, and forced to give him up. Faced with their betrayal and dying of thirst, Elías is offered water in exchange for his confession. “In the end, Elías picked up the glass, brought it to his lips, and with one sip sealed his fate.”
       In A Million Drops, award-winning author Víctor del Árbol creates a world as mystifying as that of Josef K.’s in Kafka’s The Trial. But del Árbol takes readers further—across generations, continents, and wars—in a tale whose characters are bound by secrets, love, revenge, and hatred. And not the kind of hatred we usually see. This hatred simmers and festers for generations, consuming all in its path and curling the reader’s lip.
       Readers who study the Spanish Civil War and the aftermath of the Russian Revolution will be gratified by del Árbol’s attention to detail. Those less familiar with the era will not get lost thanks to the author’s clear depiction of place, era, and politics.
       Blending personal, psychological, and historical elements in a nonlinear narrative, A Million Drops is complex, but del Árbol has the chops to pull it off. Take your time reading this one. It is worth every minute.
       Strongly recommended.
 
                                                                                             Rebecca Kightlinger

Originally published in Historical Novels Review Issue 84, May 2018.
Citation: Kightlinger, Rebecca. "The A Million Drops" Historical Novels Review 84 (May 2018).
https://historicalnovelsociety.org/reviews/a-million-drops/​

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The Taster
V.S. Alexander, Kensington Books, 2018, $15.95, pb, 315 pp 9781496712271




​Germany, 1943.

When fiery destruction is predicted for Berlin, 25-year-old Magda Ritter is sent to live with relatives in Berchtesgaden. Unable to find work, she is chided by her aunt. “Every citizen must be productive. You should be ashamed and so should your parents for raising such a worthless girl.”
     She warily accepts her only job offer: an undisclosed position with the Party. I wasn’t a fortune-teller, but I wondered how dire my circumstances might become as a worker in the Reich. Her intuition serves her well, for her job is to taste food at The Berghof, Hitler’s sumptuous “mountain court,” where the cook explains, “Your body is offered in sacrifice to the Reich in case the food is poisoned.”
     When Hitler’s trusted officer, Captain Karl Weber, befriends Magda, she knows she must rely on that intuition, because everything she sees and hears now begins to carry treacherous double meanings as Weber’s attentions threaten to lead her into love—and into the Resistance.
    Alexander’s well-researched fictional account of Hitler’s final days is made intimate by his brilliant choice of a food taster as the first-person narrator. Necessarily a trusted employee, Magda is able to toss off insightful descriptions of Eva Braun and the Führer and provide glimpses of the inner workings of the Party from the point of view of a servant who must risk her own life to protect that of a man she detests.
     A lesser storyteller might have allowed such a conflicted narrator to weep and wail, but Alexander’s Magda looks into the maw of the Reich and reports atrocities without flinching, depicting her own suffering and heroism without hyperbole. Magda allows the reader to examine her own heinous acts, asking only that “you will not judge me as harshly as I have judged myself.”   
     Highly recommended.


Originally published in Historical Novels Review Issue 83, February 2018.
Citation: Kightlinger, Rebecca. "The Taster" Historical Novels Review 83 (Feb 2018) 39.
https://historicalnovelsociety.org/reviews/the-taster/

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The Last Ballad 
Wiley Cash, Harper Collins, 2017, $26.99, pb, 372 pp, 97800623119
 
 



North Carolina, 1929

Twenty-eight-year-old Ella May has come down from the hills of Tennessee to the textile mills of North Carolina in search of a better life, but she finds only crushing poverty. Despite working full time, she cannot afford to feed and clothe her children. Learning of a union rally, she boards a truck “piloted by the young girl with the strange accent” and joins the strikers. Her voice and the ballads she has composed about her life make her a valuable asset to the union, and she is quickly recruited, earning a salary that allows her to risk her nine-dollar-a-week job and join the strikers.
     But this is not only Ella’s fight, nor is this only her story. Author Wiley Cash reveals up front that Ella was murdered in that strike and later hailed as a heroine. “No one knows who did it or why,” relates Ella’s now elderly daughter, “although I have long suspected that at that time everyone knew who did it and there were many reasons why.”
     Knowing the ending from the very start deprived me of the pleasure of wondering how Ella could possibly succeed and worrying about her as she faces down strikebreakers who decry her as a “commie bitch” and attack her from day one. But The Last Ballad is not a portrait of Ella; it’s a mural of late-1920s America depicting the clash of workers, mill owners, and strike breakers, each chapter entering the life of a character through detailed backstory and advancing the plot slowly and deliberately. Readers expecting a fast-moving, edge-of-the-seat story may be disappointed, but those who enjoy well-crafted life stories of many characters and seeing how those lives come together in a desperate cause will appreciate The Last Ballad. For them this book is recommended reading.

                                                                                                       Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 82, November, 2017.
​Citation: Kightlinger, Rebecca. "The Last Ballad" Historical Novels Review 82 (nov 2017). 
https://historicalnovelsociety.org/reviews/the-last-ballad/

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​The Sisters of Glass Ferry
Kim Michele Richardson, 2017, Kensington Publishing Company, pb, 255 pp, 15.00, 9781496709554
 
Lost things spilled onto the Kentucky’s banks, into fishermen’s hands, more than a few, revealing age-old secrets. 
 


Glass Ferry, Kentucky
June, 1972
 
Patsy Butler’s been gone for twenty years. Some maintain she ran away with Danny Henry; most presume she’s dead. Yet Jean Butler has just baked another birthday cake for the daughter she’s sure is coming home today.
     Patsy’s twin sister, Flannery, is just as sure that today will be a bitter disappointment for her mother. But as she prepares for another birthday-party-that-will-not-be, Flannery flips on the radio and hears that a mud-caked Mercury has just been pulled out of the Kentucky River, “…shedding light on the decades old disappearance…” of the sister Flannery last saw with Danny and Hollis Henry in Hollis’s Mercury, on Ebenezer Road, prom night, 1952.
     Flannery harbors two secrets from that night: her own petty theft and the pact she made with Hollis. So, if that car is the one Patsy and Danny disappeared in, Flannery and Hollis will have a decision to make.
     In The Sisters of Glass Ferry, Kim Michele Richardson once again evokes secretive, small-town Southern life, this time in the bourbon-distilling, riverside town of Glass Ferry. Told from Flannery and Patsy’s points of view, the nonlinear narrative weaves intriguing characters through the girls’ story: whiskey distiller Beauregard “Honey Bee” Burton; long-dead midwife Joetta Ebenezer, alleged to have been a witch and a murderess, whose spirit still haunts Ebenezer Road; and Hollis Henry, whose character arc takes him from abusive roughneck to town sheriff and family-man-with-a-secret. Like Gunnar Royal, the God-fearing onetime executioner in Richardson’s award-winning Godpretty in the Tobacco Field, it is the complex, enigmatic Hollis, a finely nuanced villain at the heart of the story, who continues to haunt long after Richardson’s skillfully crafted tale ends.
     Highly recommended. 
 
                                                                                              Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 82, Nov, 2017.
​Citation: Kightlinger, Rebecca. "The Sisters of Glass Ferry," Historical Novels Review 82 (Nov 2017).
https://historicalnovelsociety.org/reviews/the-sisters-of-glass-ferry/

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​Across the China Sea
Gaute Heivoll, Greywolf Press, 2017, $16.00, pb, 232 pp, 9781555977849
(Trans. Nadia Christensen)

“This is what the new world was like: Our own asylum, in the midst of a forest, in the midst of the parish, forty kilometers from the coast.”



Norway, 1945.
​
     “Is this the end of the world?”
     Stepping off the bus and standing at the edge of the road in the rural parish where she is about to begin a new life with her husband, her son (the story’s narrator), and the daughter she is carrying, Karin is dismayed by the silence.
     Karin and her husband, nurses specially trained in caring for the “mentally disabled,” have built a many-roomed house in the south of Norway, where they will raise their family while caring for clients. The first three are adult men who have suffered physical or emotional trauma that has rendered them incapable of living on their own. Soon, the family is joined by five young siblings whose ability to function has been impaired through poverty, malnutrition, and social deprivation.
     As a boy, the narrator initially sees the men as “crazy,” but as he comes to know them, he accepts them as individuals, just as he does the siblings: Ingrid, who howls; Nils, Erling, and Sverre, boys who speak but do not fully engage; and Lilly, who cares for her siblings as if she were their mother.
     Told without sentiment, this compelling tale is neither a tell-all nor a potboiler. It is the intimate account of a family’s life told with dignity, the chapters often ending on a note that invites the reader to linger for a moment rather than plunge ahead. The story may pick up in another time or place, but the skillfully crafted nonlinear narrative never confuses; and the thoughtful delivery of each character’s journey always calls the reader back. Recommended.

                                                                               Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 81, Aug, 2017.
​Citation: Kightlinger, Rebecca. "Across the China Sea," Historical Novels Review 81 (Aug 2017), 40. 
https://historicalnovelsociety.org/reviews/across-the-china-sea/​

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A Fortune Foretold
Agneta Pleijel, Other Press, 2017, New York, $14.95, pb, 256pp, 9781590518304
(Originally published in Swedish as Spadomen by Norsted’s, Stockholm, 2015)
(Translated from Swedish by Marlaine Delargy)
 
 
​
She has averted a dreadful threat. During Ricki’s visit she has laid herself like a bridge across the river of differences. She has succeeded. There must be no differences.
And everyone must love one another.
If they don’t, she will be split right down the middle.
 
Mid-twentieth century Sweden

​By the time Neta is in sixth grade, she has been “the new girl” so many times, “… she feels the familiar chafing of being an outsider, the gnawed sensation that comes from being painfully compelled to see herself through the eyes of others. That is the worst thing of all. You are out of yourself, fumbling blindly.”
       An outsider at school, Neta becomes increasingly embroiled in her parents’ failing marriage. “Dad tells stories, does the dishes, and tries to cheer everyone up, but it doesn’t help. When he notices that none of this makes Mom feel any better, he becomes distant, as if a veil is drawn over his face.” As her father retreats, Neta becomes the bulwark between her depressed mother and her mother’s disappointing, unfulfilled life.
     It is therefore Ricki—Neta’s calm, stable aunt, an architect “surrounded by a magic all her own,”—whom Neta most wishes to emulate. “I am trying to remember Ricki, but I am the one who takes center stage. Or rather she does—the girl.”
       The narrator relates her coming-of-age in third-person, present-tense, non-linear scenes, referring to her younger self as “the girl” or “she” and peppering her story with first-person, past-tense reminiscence and commentary. This saltatory, dissociated narrative style occasionally proves unwieldy when time and place become unclear or when the identity of “she” comes into question, but it adroitly complements the narrator’s striving to reassemble and reconcile a distant, chaotic, peripatetic life. Highly recommended.  
 
                                                                                            Rebecca Kightlinger
​
Originally published in Historical Novels Review,  Issue 80, May, 2017.
​Citation: Kightlinger, Rebecca. "A Fortune Foretold" Historical Novels Review 80 (May 2017), 46. 
https://historicalnovelsociety.org/reviews/a-fortune-foretold/

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Defectors
Joseph Kanon, Atria Books, 2017, $27.00, pb, 278pp, 9781501121395
 




Moscow, 1961

It’s been twelve years since CIA agent Frank Weeks betrayed his country—and his own brother—then disappeared behind the Iron Curtain. Now a KGB officer, Frank lives in Moscow under the eye of his “protector,” KGB Colonel Boris Vassilchikov.
       Having completed a tell-all memoir, Frank summons his brother, Simon, now a publisher, to take it to press. But when Simon arrives, Frank employs his old boyish charm and candor to overcome Simon’s misgivings and inveigle him—once again—into playing a pivotal role in a scheme that could go very wrong.
       Knowing his brother for a cool, accomplished liar, Simon keeps his eyes open as he makes his first irrevocable move in what feels like a high-stakes chess match. But the truly baffling nature of the game and its many players—Frank, Simon, the press, the KGB, the CIA, and a community of CIA defectors—becomes apparent to Simon only when Boris reveals the identity of the man he’s really been sent to watch.
        He had raised his eyes so that for a second they seemed to be looking over a handful of cards, and Simon saw that it wasn’t chess they were playing, but some elaborate game of poker, all of them playing, all of them cheating.”
        More than a spy thriller, Defectors is also a study in fidelity, a portrait of a man weighing his loyalty to his older brother against the certainty that his brother wouldn’t hesitate to betray him again.
     The narrator’s fast-moving, muscular prose contrasts with the bitten-off cadences of the CIA defectors, a speech pattern reflecting the captives’ constant vigilance in the presence of ubiquitous KGB microphones. Complex plot twists skillfully laid out keep the reader riveted: always wondering what’s ahead but never confused. Joseph Kanon’s Defectors is recommended reading.
 
                                                                                 Rebecca Kightlinger

​ Originally published in Historical Novels Review,  Issue 80, May, 2017, p. 42.
​Citation: Rebecca Kightlinger, "Defectors," Historical Novels Review 80 (May 2017): 42.  
https://historicalnovelsociety.org/reviews/defectors/​

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​

 
​Roads
Marina Antropow Cramer, Chicago Review Press, 2017, Chicago, US$15.99, pb, 352 pp, 9781613735565

“Under the surface, they felt the whirling currents pull at their bodies, twisting their clothing as if demanding ransom for the passage. I am stronger than you, the river proclaimed. Just let go.”


Yalta, Russia, 1925

“There is going to be a child.”
     
Having survived the Russian Revolution, music lover Zoya and her husband, postal worker Vadim, now have a son. They raise Filip in Yalta, “Russia’s Riviera,” providing him with an education that nourishes an artist’s soul: literature, opera, and the study of the distant lands whose stamps he collects.
       Filip’s classmate and friend Galina, daughter of craftsman Ilya and his wife, Ksenia, doesn’t share Filip’s love of learning; but, practical and loyal—and knowing him to be something of a weakling—she proposes marriage on Fillip’s 18th birthday, when he faces a choice from which married men are exempt: join Russia’s Red Army or be shipped to Nazi Germany’s mines and work camps.
      They marry, but Germany’s fortunes soon slip, and the occupying Nazis begin to recruit married men, offering “better conditions” to volunteers and their families than they will to men they must conscript. When Filip volunteers, he, Galina, Ilya, and Ksenia embark on a chaotic odyssey: a years-long struggle through deprivation, brutality, and disease. Near the end of the war, after surviving the bombs and fires of Dresden, the men and women are separated, and the four—plus, eventually, Galina’s newborn baby—must make their perilous way back together, to a new life.
       Close third-person narration and a clear, chronological timeline transport the reader into story. Style derives not from emotionally-charged prose but from elegant syntax and precise word choice. Historical and psychological research clearly informs this tale, but author Marina Antropow Cramer remains in the shadows, never revealing her hand. Highly recommended.

                                                                                                                            Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 80, May, 2017.
​Citation: Kightlinger, Rebecca. "Roads". Historical Novels Review 80 (May 2017), 38.  
https://historicalnovelsociety.org/reviews/roads/

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​Lightningstruck
Ashley Mace Havird, Mercer University Press, 2016, 16.00, pb, 249 pp, 9780881465969
 
It seemed as if the things I’d witnessed—Brad and Brenda, those bullies, trying to pick a fight at the drugstore sit-in, the fear seizing the grownups’ faces, Lamar Scurlock’s scrawny hand slapping Aubrey—all that ugliness was seared into the horse.
 
     


In the spring of 1964, Etta McDaniel’s horse is struck by lightning on the family’s South Carolina tobacco farm. Knocked unconscious, Troy miraculously survives, his left eye blind and his left side seared, a living testament to life after death, a “hant horse” reminiscent of the spirits that haunt Cleo, the family’s African American housemaid and Etta’s constant companion.
     A bright girl who aspires to become an archaeologist, eleven-year-old Etta has long searched for buried treasure and artifacts. But the lightning strike that turned Troy’s eye inward seems to catalyze Etta’s coming-of-age as she too begins to see things differently: she comes to realize, for instance, that the young people who work on her family’s farm are forbidden to order a Coke at the drugstore counter; she learns that her family had long ago committed deeds she now sees as abhorrent; and as her awareness of the civil rights movement grows, her friendship with an activist—the widow of a Mohawk chief, an old woman deemed “a strange bird”—brings her face to face with the Ku Klux Klan.
     Some of our greatest novelists are poets, writers with the eye and the ear—and the chops—to summon the precise image to convey place, era, character, and import; to meld that image with sensation and emotion; and to translate this amalgam into metaphor that sears the reader with story. I did not have to read Ashley Mace Havird’s bio to know that she was one such writer. Her award-winning debut novel, Lightningstruck, is highly recommended.
                                                                                                                 Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 79, February, 2017.
​Citation: Kightlinger, Rebecca. "Lightningstruck" Historical Novels Review 79 (February 2017) P.41 
https://historicalnovelsociety.org/reviews/lightningstruck/

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The Lost Girls
Heather Young, 2016, Harper Collins, pb, 339 pp, $26.95, 9780062456601
 
As I said, I am the last. Since Lilith’s passing three years ago,
the story of that summer has been mine alone to keep or to share.
 



Lucy Evans, dying alone in an isolated lake house, has shouldered a burden for sixty-four years: a secret she now wishes to divulge to her great-niece, Justine, her sole beneficiary, in a letter to be read after her death.  
       But when Justine takes possession of her great-aunt’s house, she is fleeing a suffocating relationship and trying to settle her daughters in a new school while coping with the return of her vagabond mother. So it is not until later, after Justine’s daughter has fallen under the spell of the lake house—and of six-year-old Emily, who long ago went missing—that Justine discovers Lucy’s letter. In it, Lucy resurrects the summer of 1935, a season of shifting allegiances for the Evans family.
       As eleven-year-old Lucy unpacks her trunks, she imagines the camaraderie she’ll share with her older sister. But thirteen-year-old Lilith, growing up and suddenly coquettish, shuns Lucy in favor of friends her own age.
      With Lilith spending more time away from the family, Lucy garners the attention her brooding father had reserved for his eldest. And as Lucy becomes her father’s favorite, her mother tightens her already constant vigilance over six-year-old Emily.
       But even Mrs. Evans has to blink.
     Lucy speaks her truths with candor, rolling out the secrets and unspeakable pacts that would anchor the Evans family to the lake house and taint four generations of Evans women. Into Lucy’s intimate recitation author Heather Young weaves the story of Justine’s nomadic life, incrementally turning up the tension that transforms a beautifully crafted work of historical fiction into a brilliant psychological thriller that rivals Shirley Jackson’s finest work. Highly recommended.
                                                                                               
                                                                                                                                       Rebecca Kightlinger

Originally published in Historical Novels Review,  Issue 78, November, 2016.
Citation: Kightlinger, Rebecca. "The Lost Girls" Historical Novels Review (Nov 2016). 
https://historicalnovelsociety.org/reviews/the-lost-girls/

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A Deadly Affection: Book One in the Dr. Genevieve Summerford Mystery Series
Cuyler Overholt, Sourcebooks, 2016, $15.99, pb, 448pp, 9781492637363
 
 


New York City, 1907
 
Genevieve Summerford, MD, having spurned a position at a prestigious New York City hospital, is about to embark on a research study in the Yorkville tenement district. Her hypothesis: if women with psychosomatic pain can identify the trauma at its root, they can free themselves from it. 
        In her first session, Summerford’s patient Eliza Miner discloses that she was once forced to give up her illegitimate baby. Still grieving eighteen years later, Eliza wants only to know the girl’s whereabouts. Summerford encourages Eliza to face Dr. Hauptfurer, the prominent physician who arranged the adoption, and demand the information.  
       The next morning, Summerford sees Eliza Miner, dazed and covered in blood, being escorted by police from Hauptfurer’s office. While Detective Sergeant Maloney works to establish that it was Eliza who slit the doctor’s throat, Summerford investigates Hauptfurer’s many shady adoptions, homing in on one of the city’s wealthiest families, whose daughter, Summerford learns, was adopted only days after Eliza’s baby was born.
       Genevieve Summerford, young and inexperienced, with a tendency to act without thinking, has her own ghosts to exorcise, as do most of the characters in a cast that spans the spectrum of New York society. Author Cuyler Overholt peels back the skin of this hierarchy, deftly revealing the kind of secrets that pervade every societal level and that link the unlikeliest members of each.
       Rather than exploit New York’s vast cityscape to evoke atmosphere, Overholt goes intimate in this medical thriller, bringing Summerford and her suspects together in tight spaces—a drawing room, a railroad car, a back bedroom—where conversation becomes conflict and tension boils over into turmoil.
        A well-researched, entertaining mystery with conclusions you’ll never see coming, A Deadly Affection is an exciting start to what promises to be an addictive mystery series.
 
                                                                                                               Rebecca Kightlinger
 
​Originally published in Historical Novels Review,  Online Issue 78, November, 2016.
Citation: Kightlinger, Rebecca. "A Deadly Affection: Book One in the Dr. Genevieve Summerford Mystery Series". Historical Novels Review (Nov 2016). 
https://historicalnovelsociety.org/reviews/a-deadly-affection-2/
                                                                                                               
                                                                                                                                        
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Charcoal Joe: An Easy Rawlins Mystery
Walter Mosley, 2016, Doubleday, pb, 305 pp, 26.95, 9780385539203
 






​Los Angeles, 1968

Private Investigator Ezekiel “Easy” Rawlins, having just opened his own detective agency, is feeling pretty good about life. And then Raymond “Mouse” Alexander, “gunman, strongarm, and wildcard,” shows up and calls in a marker. It seems prison inmate Rufus “Charcoal Joe” Tyler wants to hire Rawlins to investigate the double homicide for which his friend’s son, physicist Seymour Brathwaite, PhD, been charged.
       Rawlins, who owes Mouse his life—and then some—agrees, enlisting Fearless Jones, “one of the three people that Mouse claimed he wouldn’t want to tangle with,” to keep the artless PhD under wraps while he investigates.
       One victim, Rawlins learns, was shot dead and the other tortured and then shot in the eye and the heart. Both were found lying in a pool of blood at Brathwaite’s feet. The police found no weapon at the scene, and Brathwaite claims he was there looking for the housekeeper, his foster mother, Mama Jasmin.
       Buying Brathwaite’s story—for now—Rawlins prowls the underworld searching for a link between a housekeeper, a physicist, and a slaughter. He turns up a gambler, a jewelry clerk, and a big chunk of change that went missing the night of the murders and that just might get him killed.
      Mosley, building story character by character, can ratchet up the tension with just a look. “Tony Gambol was the type of man that you don’t want to squint at you.”  
        Or with a brushstroke. “Elias Shaw—three hundred and then some pounds of muscle, hard fat, and bad intentions.”
      Or with a word of counsel. “Walk softly wherever it is you goin’. You know Charcoal Joe’s a tombstone just waitin’ for a name.”
      Mosley’s unforgettable characters and superior literary craft bring poetry to noir in Charcoal Joe. Highly recommended.
 
                                                                                                                  Rebecca Kightlinger

Originally published in Historical Novels Review,  Online Issue 78, November, 2016.
Citation: Kightlinger, Rebecca. "Charcoal Joe: An Easy Rawlins Mystery. Historical Novels Review (Nov 2016).  https://historicalnovelsociety.org/reviews/charcoal-joe-an-easy-rawlins-mystery/ 


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Ruler of the Night
David Morrell, Mulholland Books, 2016, 27.00, hb, 342 pp, 978031630790
Release Date: November 15, 2016
 




London, 1855

Elderly writer Thomas De Quincy, alarmed at the banging and thumping coming from the train compartment next to his, suddenly feels rain strike him through the train’s open window. He wipes his face and looks down at his hand. It’s covered in blood.
        As a reader, I'm already on edge, fearful for the claustrophobic solicitor who has just met the enemy in the locked compartment adjacent to De Quincy’s; but now I now tumble headlong into 1850s London.
      I’ve been there before. Alongside police detectives Sean Ryan and Joseph Becker, opium addict Thomas De Quincy, and De Quincy’s stalwart daughter, Emily, I’ve scoured the streets of Victorian London ferreting out criminals in Murder as a Fine Art and Inspector of the Dead.
          Marveling at Morrell’s ability to submerge his readers in story, and thinking it was largely a matter of his meticulous depiction of setting, I read Ruler of the Night, the final book in the De Quincy murder trilogy, with an eye to discovering how Morrell creates such evocative atmosphere. Before long, I realized it was more than setting and atmosphere that had drawn me in. Beyond the novel’s elaborate historical detail and multi-sensory description, something else was at play.
       That something is narration. Specifically, it is the narrator’s homing in on secondary characters that delivers the goods.
       Omniscient but for the thoughts of Queen Victoria, Prince Albert, and Emily De Quincy (who speaks for herself through intimate journal entries), Morrell’s erudite, empathic narrator focuses on and then looks beyond the De Quinceys and the London detectives to the physical ailments, intimate thoughts, and irrational fears of secondary characters another narrator might overlook: a train guard, a solicitor, a beggar turned rich man’s wife. Each is carefully drawn—there are no bit characters here—because not only do these characters advance the plot, they also bring readers to physically experience the storyworld. 
       It is through the train guard’s suppressing the urge to cough, for example, that we choke on the train yard’s soot; through the doomed solicitor’s claustrophobia that we panic as the rasp of metal on metal whispers that someone’s just locked the compartment door; and through the rich woman’s inexorable childhood memory of rats scurrying across a tenement floor that we recoil at the scritch scratch the onetime beggar still hears in the night.
       Morrell’s narrator ensnares us in the storyworld at the story’s opening and then again and again throughout the novel. Grounding us temporally and spatially in each scene through vivid depiction of historical landmarks and character movement, Morrell then keeps us there by layering setting with action, emotion, and sensation, never allowing a movement, a thought, or a dialogue exchange to accomplish fewer than three objectives, one of which is always to grip the reader.
        More than just a good read, David Morrell’s Ruler of the Night is an experience not to be missed.
 
                                                                                                             Rebecca Kightlinger

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Before We Visit the Goddess
Chitra Banerjee Divakaruni, 2016, Simon and Schuster, 210 pp, $25.00, 97847679200






 “Without education,” Sabitri writes to Tara, the granddaughter she has never met, “a woman has little chance of standing on her own feet.” Recalling the desperate maneuver that enabled her own mother to send her to college, Sabitri urges Tara to stay in school. “If you are uneducated, people will look down on you. To survive, you are forced to accept crumbs thrown down from a rich man’s table. How can such a woman ever brighten the family name?”
       Before We Visit the Goddess  opens in Kolkata, India, in 1995, with Sabitri’s epistolary plea to Tara. Deftly blended with third-person narrative, the letter reveals Sabitri’s own ambitions, missteps, and shame, as well as the guts and hard work it took for Sabitri to ensure that her daughter, Bela—Tara’s mother—would have the opportunity to become educated and stand on her own feet.
       When Sabitri lays down her pen, poet Divakaruni shifts the focus to 1963 and eleven-year-old Bela’s lonely, sometimes dreamlike existence with her quarreling parents in Assam, India. Then, leaving Bela in a hospital bed feeling “a shift in the air, an imminent storm,” Divakaruni takes the reader to 1998 and Tara’s unsettled life in Houston.
       This switchback journey from 1963 to 2020, between India and Texas, delivered in richly nuanced narratives, immerses the reader in the unforgettable lives of Sabitri, Bela, Tara, and the friends, lovers, and strangers who change their lives. In exquisitely wrought interwoven stories, each woman finds love, whether romantic, platonic, or filial; each makes an irrevocable choice based on love—or its detritus—and each must one day come to terms with feelings “as unambiguous as a knife” when confronted with the consequences of her choice.

                                                                                                 Rebecca Kightlinger

Originally published in Historical Novels Review,  Online Issue 77, August, 2016.
Citation: Kightlinger, Rebecca. "Before We Visit the Goddess" Historical Novels Review 77 (August 2016)
https://historicalnovelsociety.org/reviews/before-we-visit-the-goddess/

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 Ice Cold
Andrea Maria Schenkel, Quercus, 2015, $22.99, hb, 140 pp, 9781623657208
[Copyright 2007 by Edition Nautilus. English translation copyright 2009 by Anthea Bell. First published in the United states by Quercus in 2015]


    
 It’s October 1939, and Josef Kalteis, “an ethnic German, an Aryan, and in addition a member of the National Socialist Workers’ Party,” has confessed to atrocities not even the Reich wants on its hands. His death warrant declares, “Noxious parasites on this nation, like this man, ice cold in his crimes as in his very name, must therefore be removed from it.”
     In Ice Cold, Schenkel lays out narrative with the cool authority of a Vegas blackjack dealer. Snap: Memorandum. Scene. Interrogation. Police report. Snap: First person. Third. Present tense. Past. But make no mistake, Schenkel’s a shark. Having stacked the deck, she keeps you at the table by holding the ace until the very last hand.
     It’s rarely springtime in this chronicle of Germany from 1931 to 1939, and from the moment young Kathie Hertl steps off the train in Munich, the reader feels the chill. Kathie’s search for a job takes her nowhere, and her search for a warm place to sleep takes her to Soller’s Inn, where, like the other women she meets, she searches for a “fiance” who will put a roof over her head. As she moves from man to man, losing sight of her dream of making a life in Munich, she recalls the warmth of her girlhood summers and knows that “they would always be the best summers of her entire life.”
     Into Kathie’s wanderings Schenkel splices police reports, first-person interviews, and third-person accounts of other German women and girls, as well as excerpts of police interviews with both Kalteis and his wife, Walburga. Time is nimble, and narrators often go unnamed. But the close reader is rewarded with story: tragedy unencumbered with sentiment, and brutality served up cold as ice. 

                                                                                                                            Rebecca Kightlinger

​Originally published in Historical Novels Review,  Online Issue 77, August, 2016.
Citation: Kightlinger, Rebecca. "Ice Cold" Historical Novels Review 77 (August 2016)
https://historicalnovelsociety.org/reviews/ice-cold/


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Ashes to Ashes: The Chronicles of Hugh de Singleton, Surgeon 
(Book Eight of Series)
Mel Starr, Lion Fiction, 2015, UK £7.99, pb, 244pp, 9781782641139
 




​England, 1369 

Surgeon Hugh de Singleton, bailiff of Bampton, is summoned to examine human remains—bones—discovered in the ashes of the St. John’s Day bonfire, and the search for the victim’s identity is on. Clues wrested from reluctant villagers lead de Singleton into a web of secrets woven over decades in the nearby village of Kencott, whose bailiff, rumored to have been highborn, has gone missing.
       An engrossing tale of medieval forensics, Ashes to Ashes is narrated in lean prose by de Singleton, who draws readers in through his cool depiction of a kitchen-table autopsy, a gruesome bonesetting, and a brutal beating. He then goes on to establish, detail by fascinating detail, the identity of the victim. From there, he employs intuition, medical knowledge, and investigative skill to ferret out the murderer.
      Author Mel Starr opens the story in past-tense narration and then breaks the rules by allowing de Singleton to pepper his narrative with present-tense comments: a brilliant move, as it turns out, because by doing so at precisely the right moments, Starr turns a crime novel into a living chronicle, and his narrator into a true storyteller. The reader, from the very start, is hooked.
     
                                                                                                                   Rebecca Kightlinger
​

Originally published in Historical  Novels Review  Issue 76, May 2016

​Kightlinger, Rebecca. "Ashes to Ashes: the Chronicles of Hugh de Singleton, Surgeon, Book Eight." Historical Novels Review 76 (May 2016):23. 

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​

GodPretty in the Tobacco Field
Kim Michele Richardson, Kensington Books, 2016, $15.00, pb, 278pp, 9781617737350
 
I’ve been working in the fields since knee-high, and ain’t nothing but all kinds of GodUgly keeps happening around here.


It’s hard to imagine a patch of earth less likely to produce GodPrettty than Gunnar Royal’s snake-infested tobacco field in Nameless, Kentucky. Yet it is in that field that Gunnar strives to cultivate GodPretty, his term for strict Christian obedience and spiritual purity, in his orphaned niece, RubyLyn, the story’s fifteen-year-old narrator and protagonist.
    Through scripture, toil, and frequent mouth-washings with a “tincture of biting herbs steeped in moonshine,” the former state executioner tries to break RubyLyn of her aspirations and her sass. His goal? To keep her in line until she can one day take over his tobacco operations.  RubyLyn, though, has other ideas. Determined to escape Appalachia’s crushing poverty, child abuse, and bleak prospects, she has set her eye on winning the tobacco competition at the 1969 Kentucky State Fair and on using her winnings to get out of Nameless and become an artist.
     The story opens with first-person narration heavy with the diction of the Kentucky hills, bringing the reader immediately into RubyLyn’s world. A few chapters later, while the reader is still enjoying the dialect, Richardson wisely reins it in, skillfully retaining RubyLyn’s colorful narrative voice while allowing dialogue to carry the most eloquent rural colloquialisms.
     Filled with the music of Appalachia, the wrath-of-God discipline of a sinner trying to keep a youngster on the straight and narrow, and the bred-in-the-bone dignity of a downtrodden community so secluded that its barefoot children don’t even realize they’re considered “poor,” GodPretty in the Tobacco Fields, a memorable story of secrets and scandal, reckoning and redemption, is fine Southern fiction.

                                                                                                                                                 Rebecca Kightlinger

Originally published in Historical Novels Review,  Online Issue 76, May, 2016
Kightlinger, Rebecca. "Godpretty in the Tobacco Fields." Historical Novels Review 76 (May 2016): https://historicalnovelsociety.org/reviews/godpretty-in-the-tobacco-fields/.

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Death of an Alchemist
Mary Lawrence, Kensington Books, 2015, 15.00, pb, 292pp, 9781617737138
 
The Rat Man lifted his nose, catching the essence of alchemy, and tasted it on his tongue. Someone had discovered something of import. Someone had come as close as he had once done. Perhaps even closer.

     
Someone, indeed, has. Or believes he has. Ferris Stannum, one of sixteenth-century London’s many alchemists, is poised to send his formula for immortality off to Cairo for corroboration, when Bianca Goddard, a young chemiste, knocks on his door. She has searched out the venerated alchemist in the hope that he will teach her the process by which herbs may be combined with metals to produce a medicine that will ameliorate symptoms and cure disease.
     Once Bianca has proved herself to him, Stannum begins to teach her how to produce the brooding heat that will sublimate metal. But before he can impart all the knowledge his new apprentice requires, Stannum dies of a mysterious hemorrhagic disease that looks a lot like the dreaded sweat.
     As Stannum’s landlady, and then his daughter and son-in-law, fall victim to this rapidly fatal malady, Bianca senses that it is not the sweat but a disease not before seen; and when her husband, John, begins to exhibit symptoms, the clock starts ticking on her search for the secret to producing Stannum’s elixir of life.
     In the hands of this talented storyteller, what begins as a medical mystery develops into a quest and finally into a tough decision based on the question of eternal life: “If John fights his malady and survives this particular illness, then I believe he will live as long as his body serves his soul. But if his soul is finished with his body, should I concoct an elixir to prevent it from ever leaving?”
     The answer may lie with the river-dwelling wraith, Rat Man.  
                                                                                                                                               
                                                                                 Rebecca Kightlinger

Originally published in Historical Novels Review  Issue 76, May, 2016

Kightlinger, Rebecca. "Death of an Alchemist: A Biancha Goddard Mystery." Historical Novels Review 76 (May 2016): 25.


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The Photographer’s Wife
Suzanne Joinson, Bloomsbury, 2016, $26.00, hb, 334pp, 9781620408308
 
Each betrayal was a closer step to death and he understood that she was all the days of freedom before the war…



Taken from an ailing mother in 1920s England and sent to live with her father, a British architect with the impossible mission of bringing English gardens to Jerusalem, eleven-year-old Prudence Ashton becomes an incidental witness to atrocious secrets memorialized on film by distinguished photographer Khaled Rasul.
     In The Photographer’s Wife, Suzanne Joinson has crafted a novel that straddles the years between the two world wars and the gulfs between war pilot Lieutenant William Harrington, investigative photographer Rasul, and the woman they both love.
     Close third-person, nonlinear narratives told from Prue and William’s points of view engulf the reader in post-WWI Jerusalem, revealing Prue and Willie in intimate detail while allowing the reader mere glimpses of Eleanora, the photographer’s intriguing wife. It is not until Joinson brings the many threads of their stories together in Prue’s gripping, first-person, present-tense narrative set in 1937 England that the roles of the many players in this perilous game become clear.
     While nonlinear narrative, fluctuating tense, and a shifting point of view can render a story confusing and disjointed when attempted by a less-skilled novelist, Joinson masterfully employs sub-plot and subtle detail to take the reader smoothly from character to character, decade to decade, and place to place. The reader, confident in the hands of a true storyteller, is free to settle in and be swept away.
 
                                                                                Rebecca Kightlinger
​

Originally published in Historical Novels Review,  Issue 76, May, 2016.
Kightlinger, Rebecca. "The Photographer's Wife." Historical Novels Review 76 (May 2016):43.

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